Opening on the 16th of September at 8pm.
Maria Kerin will kindly open the exhibition.
‘The power of abstract painting lies in its richness of ambiguity and possibility of human expression. Over the last 100 years abstract painting has been shifting bounderies and questioning our perception of reality.
The painting process is a form of ‘mapping the brain’, using references from the outside world which enter and disappear. These references become one on the ‘overall’ surface of the painting. In fact the painting itself becomes the subject and the object; it carries its own reality. At times the painting seems to be alive; it breathes in and out. The layers of paint are like a skin over the skeleton of an animal. A painting is, it does not have to be explained.
Instinct, emotion and observation of natural phenomena are the main ingredients of this body of work. For me painting is ‘contained emotion and energy’. During the painting process everything gets transformed into a physical object which I can let go of when it is finished. Most of the time a painting really finishes itself because everything I do suggests another thing until it becomes complete.
Abstract painting uses different means of expression. Colour, line, form, plane, surface texture, etc. are freely used as elements during the creative process.
In this body of work I am using a lot of vibrant colour. Going to the Canaries during the winter months changed my colour scheme drastically. In response to the bright light I started using brighter colours. Colour stimulates, it carries emotion, it can be seductive and calls for action and reaction. Colour is unpredictable, infinite in its combinations which makes it so interesting. It can manipulate and influence your mood. I am interested in the never ending game of possiblities.
In all my work I have been using structure as a starting point. In the past it used to be ‘the grid’, usually drawn onto the paper or created by using sand and varnish on the canvas. The grid helps me to control and contain the ‘freeflow’ of paint. These days I am more interested in organic structure and organic forms. In my mind an organic structure relates more to a female way of looking at life. I am interested in exploring this ‘slightly different gaze’ when making abstract paintings.
Abstract painting is challenging; it gives the viewer ‘more to do’ when engaging with ‘a process of transformation’. It allows us to re-experience the thrill of making and creating a piece of art. After all it is a platform for free expression which we all like to enjoy and appreciate’.
Rita Wobbe has been working as an abstract painter for many years. She studied art in Germany and at Limerick School of Art and Design (MA painting 1998-2000). Over the last 20 years she has been exhibiting in Ireland, Germany and the Netherlands. For the last 10 years she has been running abstract art workshops from her own studios near Kinvara, Co. Galway. She also teaches abstract painting at the Burren College of Art during the summer
In the winter she spends some time in Lanzarote, Canaries which had a great influence on her work and colour scheme. Nevertheless the Burren has been her home and her main source of inspiration.